Film & TV Entertainment

Michael Giacchino’s Soundtrack for Fantastic Four: First Steps Might Spoil the Whole Plot—In the Best Way

As anticipation grows for Fantastic Four: First Steps, Michael Giacchino has given fans something new to pore over: the film’s official soundtrack. Released digitally today, the album isn’t just a thrilling listen—it may also be a subtle roadmap to Marvel Studios’ latest big-screen saga.

Known for his clever, story-revealing track titles, Giacchino (Spider-Man: Homecoming, The Batman, Up) may have offered us a surprising glimpse into the film’s structure and tone—even before the movie hits theaters next Friday.

Kicking Off with Family

The album begins with “Fantastic Four: First Steps Main Theme,” a bold, orchestral cue that fuses superhero grandeur with nostalgic warmth. It reflects the tone Marvel is aiming for: a blend of old-school optimism and modern emotional storytelling. This theme reinforces the idea that this Fantastic Four isn’t just a team—it’s a family, much like the comics by Jonathan Hickman.

Next comes “Pregnancy Testing 1, 2, 3,” which seems to signal the film’s intimate starting point. Based on preview footage, this likely underscores a scene where Reed Richards and Sue Storm announce they’re expecting a child. This domestic moment could serve as the calm before the cosmic storm.

Shalla-Bal Arrives—and So Does Galactus

The third track, “Herald Today, Gone Tomorrow,” coincides with one of the most dramatic moments in the trailer: the arrival of Shalla-Bal (Silver Surfer), who proclaims, “I herald his beginning, I herald your end, I herald Galactus.” Giacchino scores this moment with eerie, alien motifs that heighten its menace.

For fans of Marvel’s cosmic canon, this scene is a huge deal. Shalla-Bal’s connection to the original Silver Surfer adds major weight to her MCU debut.

Into the Stars, and Into Trouble

From there, the soundtrack barrels into its mid-section, where titles like “Out to Launch,” “A Galactus Case of the Munchies,” and “The Light Speed of Your Life” suggest a galactic journey filled with both danger and Giacchino’s signature humor.

These tracks appear to trace the Fantastic Four’s mission into space—likely to confront or negotiate with Galactus. While some visuals have teased this plot, the soundtrack reveals a mix of awe, action, and absurdity.

A Celestial Delivery

Then comes one of the most surprising titles: “Starship Birth.” All signs point to this being the scene where Sue gives birth to Franklin Richards mid-crisis. In Marvel lore, Franklin is an immensely powerful character, capable of shaping reality. If the movie leans into that legacy, his birth may be a turning point not just for the Fantastic Four, but for the wider MCU.

Classic Villains, Fresh Takes

As the album moves into its final stretch, surprises keep coming. Track 13, “A Mole in Your Plan,” hints at the appearance of Mole Man, portrayed by Paul Walter Hauser. Though he hasn’t appeared in promotional materials, director Matt Shakman has confirmed his role, describing him as more of a disgruntled blue-collar figure than a classic supervillain.

Another standout track is “A Walk on the City,” likely referring to Galactus’s looming march through New York—a moment glimpsed briefly in early teasers.

Final Showdown—and an Emotional Undercurrent

The last few tracks—“Don’t Sue the Baby!,” “Carseat Drivers,” and “Fantastic Four to Be Reckoned With”—suggest that the team’s final mission is to defend baby Franklin from Galactus. Expect big battles, emotional stakes, and a signature Marvel mix of heart and humor.

Quirky Extras and Hidden Nods

The bonus tracks deepen the film’s mythology while winking at longtime fans. “Let Us Be Devoured (Studio Version)” is an acoustic ballad full of gallows humor, while “The Fantastic Four Power Hour (Cartoon Theme)” pays homage to the real-life 1967 animated show. Ben Grimm’s line, “It’s clobberin’ time!” reportedly gets a cringe-inducing delivery here—which the character himself hates.

“H.E.R.B.I.E.’s Lullaby,” the final track, is a soft lullaby sung by the team’s robotic assistant. Originally created for TV in 1978, H.E.R.B.I.E. finally enters the MCU, watching over baby Franklin with an unexpectedly emotional tune.

The Verdict? A Soundtrack That Tells a Story

While we still don’t know how Fantastic Four: First Steps will end, one post-credits scene from Thunderbolts offers a big clue: the team’s ship, the Excelsior, arrives from another universe, suggesting they may have lost their first fight with Galactus—or that their reality was consumed entirely.

Whether you’re a soundtrack sleuth or a casual Marvel fan, Giacchino’s latest work is worth a close listen. It’s more than music—it’s a possible outline of Marvel’s boldest chapter yet.

Did Michael Giacchino just reveal the movie’s biggest plot twists—or is he playing us all? Share your theories below!

Mike Ramirez

Mike Ramirez is a theme park fan born and raised in Mexico City. From a young age he's loved to learn all there is to know about the history of the Disney parks and rides. Whether it’s riding The Haunted Mansion, geeking out over the MCU, or singing along to show tunes, he's all about celebrating the magic of storytelling and imagination.

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