Severed Spine Controversy: Why the New “Inappropriate” Disney Ad Was Yanked from Public View

The Predator franchise has built its legend on the visceral, the gruesome, and the unapologetically R-rated. From the spine-ripping trophies of the 1987 original to the brutal, primitive warfare of Prey, the series has always pushed the boundaries of sci-fi horror. However, in February 2026, a new marketing push for the latest hit, Predator: Badlands, finally crossed a line that UK regulators couldn’t ignore.

The UK’s Advertising Standards Authority (ASA) has officially banned a high-profile digital advertisement for the film after a wave of complaints labeled the content “inappropriate and disturbing.” The ad in question didn’t just hint at violence; it showcased a severed human-like torso, complete with an exposed spine, sparking a massive debate over where “movie magic” ends and public distress begins.

The Ad That Sparked a National Outcry

The controversy centers on a 10-second digital video poster that began appearing in high-traffic public areas in late 2025. The advertisement featured the film’s central Yautja warrior, Dek (played by Dimitrius Schuster-Koloamatangi), holding a more petite humanoid figure by the throat.

The graphic detail that caught the eye of regulators was the state of the victim: the figure had been severed in two, with the entire lower half of the body missing. In the brief, two-second clip, the figure’s arm is seen dropping limp while the camera lingers on the jagged, mechanical-looking spine protruding from the torso.

The ASA stepped in after receiving formal complaints from parents who argued that such a graphic image—placed in public spaces where children could easily see it—was “unsuitable for a general audience.”

Disney’s “Robot” Defense: A Case of Mistaken Identity?

In response to the ban, Disney and 20th Century Studios mounted an intriguing defense. They argued that the ad was prepared with a “sense of responsibility” because the victim in the scene was not actually a human being.

In the lore of Predator: Badlands, the figure being torn apart is a “synth”—an advanced Weyland-Yutani android played by Elle Fanning. Disney contended that, because the character was a machine, the “gory” elements, such as the severed spine, were meant to showcase the inner workings of a robot, making the scene “stylized” rather than “violent.”

However, the ASA wasn’t buying the technicality. In their final ruling, they stated that to the average viewer—especially a child—the figure was indistinguishable from a human woman. “While we acknowledged the comment that the smaller figure was not actually a human, but rather a ‘synth’ robot, we considered that was not clear from the ad, and that the figure was likely to be interpreted as a human,” the ASA ruled.

Why Badlands is the Franchise’s Biggest Risk Yet

This marketing mishap comes at a pivotal moment for the Predator series. Directed by Dan Trachtenberg, Badlands is the first film in the franchise’s nearly 40-year history to cast the Predator as the central protagonist.

The film follows Dek, a “sensitive outcast” Yautja warrior, and Thia (Elle Fanning), a synthetic android, as they attempt to survive on a desolate “Death Planet.” The unique dynamic—and the decision to let the audience root for the alien—helped the film shatter box office records. Despite its PG-13 rating in some markets, Badlands grossed over $184 million worldwide, making it the highest-grossing solo entry in the entire franchise.

What’s Next? The Hunt Moves to Disney+

The ad ban hasn’t slowed down the film’s momentum for long. Today, February 12, 2026, Predator: Badlands officially debuts internationally on Disney+ and in the US on Hulu.

The streaming release marks a homecoming for the franchise, which found a massive second life on digital platforms after 2022’s Prey. Fans who missed the theatrical run can now witness the controversial “synth-ripping” action from the safety of their living rooms—provided they have their parental controls turned on.

A Multi-Pronged Future for the Predator

If you think the controversy will slow down director Dan Trachtenberg, think again. In interviews this week, Trachtenberg confirmed that he is “simultaneously figuring out the next steps” for the franchise. His plans include:

• Prey 2: A long-awaited sequel with Amber Midthunder set to return as Naru.
• Predator: Killer of Killers: An animated anthology film exploring different time periods in the Yautja lore.
• A New Era at Paramount: Trachtenberg recently signed a massive first-look deal with Paramount, but he assured fans that the Predator universe is still very much “in his heart.”

Conclusion: The Lesson of the Severed Spine

The banning of the Predator: Badlands ad is a rare moment of friction in Disney’s otherwise successful reboot of the 20th Century horror brands. As the company continues to bring “harder” sci-fi content to the mainstream, the ASA’s ruling serves as a reminder: there is a fine line between a sci-fi robot and a “disturbing” public image.

For fans, the controversy only proves that the Predator hasn’t lost its edge. Whether you’re rooting for the hunter or the hunted, the most successful era of the franchise is just getting started.

Will you be streaming Predator: Badlands on Disney+ this weekend? Do you think the ad went too far, or was it just a misunderstanding of the movie’s sci-fi roots?